Document Curriculum material developed by Hanson during his tenure as a lecturer in harmony and counterpoint at the NSW Conservatorium of Music; includes some Minutes of the Curriculum Board; written statements on Hanson's musical philosophy; one notebook used for marking NSW Eisteddfods Box 3
Document Files of notes by various researchers on Hanson's works; includes transcript of interview by Max Keogh, and a catalogue of Hanson's works prepared by Graham Hardie Box 2
Document One framed photograph of Hanson with fellow composers Robert Hughes, George English and Lindley Evans Box 4
Document Personal and business correspondence; includes personal cards and letters from family members and friends; also business correspondence concerning Hanson's life as a performer, teacher and composer, 1940s-1970s Box 2 Date: 1940s-1970s
Document Personal documents including War Service records, and a 1999 letter from NSW Special Branch to daughter Annabel Gleeson confirming that Special Branch held no file on her father Raymond Hanson, 1940s-1999 Box 2 Date: 1940s-1999
Document 'Prospectus' for the NSW State Conservatorium 1947-1974; Esteidfodd programs for NSW 1959-1960s; Programs for the NSW State Conservatorium 1920s-1930s; Programs of performances by Hanson of of his works 1950s-1970s, 1947-1975 Box 1 Date: 1947/1975
Document Scores and copies of scores: including 'This land we love', an unpublished submission for the National Anthem competition, with words written by Marion Bolton; 'Wilful Waltz: an annual fugue'; a copy of 'Wedding Waltz', Five Portraits, Opus 23 (pub'd); Preludes, Opus 3 (pub'd); a proposal for an opera 'Jane Greer' with synopsis by James Thomson (1973-1974); also the score of 'Sonatine' by Noel Nickson Box 4